today , when people want to append a healthy effect to a film , they mostly just pull up a digital archive , select a sound , and drag and drib . But in the pre - digital eld , the great unwashed make sounds using whatever objects were close to turn over . Here are the 10 most unusual sources for your preferent sound result .

1) Lightsabers

The profound designer for Star Wars was Ben Burtt , whose name is synonymous with originative and hard-nosed speech sound designing . The full Star Wars picture show catalogue is full of outside - the - box sound event — including the most evident audio of all .

The lightsaber ’s familiar and classifiable Harkat ul-Mujahedeen , which we all have imitated while handle a cardboard talent wrap tube , was make by a television and a 35 mm projector . Explains Burtt :

The lightsaber was , in fact , the very first sound I created for A New Hope . Inspired by the McQuarrie concept painting , I remembered a sound of an interlock motor on the older film projectors at the USC Cinema Department ( I had been a projectionist there ) . The motors made a musical “ hum ” which I matte immediately would complement the picture in the painting . I recorded that motor , and a few Clarence Day later I had a low mike transmission line that caused my recorder to accidentally pick up the bombination from the back of my TV picture vacuum tube . I memorialize that buzz , and mix in it with the hum of the projector motor . Together these sounds became the basis for all the lightsabers . ”

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you could take more about ithereor watch the telecasting above to find out more .

2) The Green Death Ray from The War of the Worlds

The 1953 rendering of H.G. Wells ’ classic tale of alien encroachment had an stunning sound effect when the aliens unleashed their immature wing - pourboire death ray . And this chilling speech sound was created by hitting a high - tension telegram ( like on an aerial tugboat ) with a pound . This same proficiency is used to create the iconic “ pew pew pew ” sound of the chargeman in Star Wars . And many source arrogate the same technique — hitting a conducting wire with a hammer — was used for the photon torpedoes in Star Trek .

3) Phasers in Star Trek: The Original Series

The Death Ray was n’t the only innovative sound effect in the 1953 War of the Worlds — the Martian “ rut ray ” also had a surprising source . According to a 1953articleby producer George Pal , The War of the Worlds ’ Martian heat - light beam sound was produced when sound designers played three galvanic guitars rearward and bestow some harp . And harmonize toBen Burtt(who also work on Star Trek Into Darkness ) the sound designers who worked on the original Star Trek were vast fans of the 1953 War of the Worlds adaption , because whenever a phaser is fired in Star Trek , you ’re hearing the same backward guitar and harp speech sound .

4) The Martian Scream

How would a Martian scream sound ? The boys thought a foresightful time on that one . Finally they go far at the strange termination of scrap dry ice across a contact microphone and combining it with a woman ’s high scream record backwards . It was the weirdest auditory sensation anyone has yet descend up with for one of my picture .

5) The Predator’s Heartbeat

Despite the Predator ’s want of empathy , sound designers spent a lot of timegiving him a affection :

[ The sound when the TV audience are in “ Predator Vision ” manner ] is the Predator heartbeat . I found an old glass prime vase with a very wide sass . I put some water and a rude sponge inside it . John P. and I speak about how Predator should have a human - similar blink of an eye , but with something strange and exotic in the rhythm . We decided maybe he had more ventricle than humans , or something .

Ezra Dweck helped me register the sponges squishing in odd rhythms . We yield that magnetic tape to John P. to dally with . He processed and fine-tune , and he would have had to redact my awful sensory faculty of musical rhythm . So those “ Predator heartbeat ” tracks went into the subroutine library .

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6) Indiana Jones’ Boulder Dash

The famous boulder pursual vista in Raiders of the Lost Ark , as enthralling and la-di-da as it is , was actually just the wakeless editor ’s Honda Civic rolling down the driveway .

7) The T-1000’s Jail Escape

That fit where the T-1000 walk through the bars of a jail cell ? According to Oscar winning sound house decorator Gary Rydstrom , this gist was achieve with simply the audio of blackguard food being tardily sucked out of the can .

8) A Terminator’s Skull Crush

And there was in reality more food for thought inspired sound burden ask in this motion-picture show . In the scene where the viewers survey the wrong done by a nuclear attack in the year 2029 , the photographic camera slow pans to a finis up of a skull . A robotic Terminator foot promptly break it . That smash you discover is a Pistacia vera nut being destroyed by metallic element metal plating . condition out the television above for more great poppycock , including how the effects were made for the classic scene where the T-1000 freezes , melts , and reforms .

9) The Jet Motorcycles in THX 1138

This moving-picture show featured both a jet automobile and a jet motorcycle . Unsurprisingly enough the jet car sound force come from , well , a jet . Sound designer Walter Murch , however , want the motorcycles to have a dissimilar pitch so that the consultation could separate between the two vehicle . What the audience hears as the bikes scream pass is , well , masses screaming . He register 4 charwoman screaming in a bathroom to accomplish this audio .

10) The Marshmen in Doctor Who

Classic Doctor Who is full of innovative sound design — most fans of the show already have it away that the dematerialization sound of the Doctor ’s time machine , the TARDIS , was created when reasoned fashion designer Brian Hodgson rubbed his mansion keys back and off on the strings of a broken pianoforte . But the BBC Radiophonic Workshop had lots of trick up its sleeve . When sound couturier Dick Mills needed the cries of the Marshmen in the episode “ Full Circle , ” hewent to a pig farmand recorded the watchword of the pigs , slow down down to sound unearthly . Also , the sound of the Rutan monster in “ Horror of Fang Rock ” is “ Dick ’s clenched fist churning in a tub ofSwarfega . ”

Doctor WhoPredatorStar TrekStar WarsTerminatorWar of the Worlds

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